In this article, Bryson Meunier would like to audit the US version of Disney Junior. He has chosen this website for three reasons: it’s not run by a client or a partner; it exhibits a lot of the SEO issues of many responsive websites; and his two and four year olds are huge fans of the brand and often use my smartphone or our family iPad to visit it. This audit of Disney’s beautiful but often frustrating website shows that mobile SEO doesn’t end once you’ve made a website responsive, and it gives Disney a framework to make its website more usable and findable on search engines.
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Veterans in this industry should mentor new team members and share with them the knowledge that they know they will need to succeed. This article is a follow-up “Lessons Learned in Leading New Web Professionals.” This one looks at the other side of the team leader-new employee dynamic. We’ll cover the practices that Jeremy Girard has found are consistently followed by employees who excel in their new role and grow in this industry.
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After a decade of JavaScript library work, the progressive-enhancement revolution, the advent of polyfills, and the effort to birth the “Web Components” and “Shadow DOM” specifications have taught us surprising lessons: In every period, being able to use features in both high- and low-level forms has always been desirable. HTML is great, until it isn’t. And JavaScript-only has predictable drawbacks. Thinking that there is a “right way” to build new Web features is seductive. Turns out, it’s not that simple.
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Events can be triggered on any part of a document. They don’t just start and end in one place; they flow though the document. This life cycle is what makes DOM events so extensible and useful. As developers, we should understand how DOM events work, so that we can harness their potential and build engaging experiences. In this article, Wilson Page will introduce the basics of working with DOM events, then delve into their inner workings, explaining how you can make use of them to solve common problems.
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If customers can’t find a product, they can’t buy it. Therefore we invested eight months conducting a large-scale usability research study on the product-finding experience. We set out to explore how users navigate, find and select products on e-commerce websites. Throughout the test sessions, the subjects would abandon websites because they were unable to find the products they were looking for. All of these usability issues have been distilled into 79 concise guidelines in a report titled “Homepage & Category Usability.” In this article, we’ll go over seven of the guidelines.
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If you are launching a product, then your aim should be to make your product something that people would be happy to buy. You can then begin to develop additional features based on what customers actually want and need. In this article, Rachel Andrew explains, based on her own experience, how to start with a new product, develop and support it over time. She’ll describe how it is possible to launch with a really small product and grow from those small beginnings by listening to your customers.
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With the release of Ember.js 1.0, it’s just about time to consider giving it a try. This article aims to introduce Ember.js to newcomers who want to learn more about the framework. Users often say that the learning curve is steep, but once you’ve overcome the difficulties, then this framework is tremendous.
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This article is the third part of an article series about improving your design workflow in Adobe Fireworks with some of the best extensions currently available. You may want to check out the first and second parts if you’re not already familiar with them.
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In this article, CJ Gammon talks about the CSS Regions specification, which provides new options for web designing. We are largely constrained by the layout features available to us. Content placed inside a container will often extend the container vertically. If a design requires elements to remain a certain height, then our options are limited. In these cases, we can only add a scroll bar or hide the overflow. Let’s solve this problem!
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In this article, we are honoured to present to you Nice Things a set of 128 original, beautiful icons that Chris Behr came up with while playing around with the Shape tools in Illustrator. He casually divided a square into a grid and then randomly colored it. Then he combined the grid with a couple of icons that he had been doodling. Let’s see the results!
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