Popular programs are out there, but many of them have considerable drawbacks, which has led Shalom Goltz to explore alternative apps. As you will soon see, InDesign has a unique set of tools and features that are perfectly suited to designing wireframes and interactive prototypes in a more intuitive way than you ever thought possible.
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Today we are happy to release three more exclusive interviews as well as two Smashing Conference videos featuring Brad Frost, Andy Clarke and Nicole Sullivan. You can check out even more conference interviews and talks by Jeremy Keith, Rachel Andrew and Stephen Hay.
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In this article, Jeremy Girard will detail the process he and his team took when they were redesigning their company’s website. including some of the changes they made along the way, as they worked to build a better responsive website.
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The purists out there may be throwing their hands up in horror — a WYSIWYG interface! Letting users alter themes themselves! Well, yes, there is a risk on that. But the Customizer means that if you’re developing custom themes for client websites, you have a whole new set of tools to play with. The theme customizer allows users to tweak theme settings using a WYSIWYG interface and customise a theme so it includes pretty much anything they want.
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Everyone likes stuff that moves about on the Web, right? Remember how you cried joyful tears when you first used <marquee>? I do. I nearly sobbed all the water out of my body as I gazed upon “JAKE’S COOL WEBSITE” bobbing back and forth in uppercase serif. Of course, we’re more mature as an industry these days.
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In this article, Vasilis van Gemert will show you several tactics for deciding where to put breakpoints in a responsive design. There is the rusty idea that they should be based on common screen sizes, but there are no “common” screen sizes. You’ll be able to use the theory in this article to better design your content for all different screen sizes.
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Probably the most famous interface in sci-fi is gestural — the precog scrubber interface in Minority Report. This is one of the most memorable things in a movie that is crowded with future technologies, and it is one of the most referenced interfaces in cinematic history. By using it, detective John Anderton rushes to the scene of a future crime to prevent it and arrest the would-be perpetrator.
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The word on the street is that the Web Is 95% Typography, so as we hurtle towards the future, we think there’s still a lot we can learn from five centuries of history. Typeplate, a free-range and open-source typographic starter kit, is the result of this exploration of our typographic heritage.
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Totally taming form elements is impossible due to the lack of detail in the CSS specification and because of the default styles applied by Web browsers. However, Gabriele Romanato shows us that, by following some common practices, reducing (though not eliminating) the differences and achieving good visual results is possible.
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