August 13, 2012 — This overview features a hand-picked and organized selection of the most useful and popular Smashing Magazine’s articles related to the designer’s professional workflow and organization and published here over all the years. Read more…

August 13, 2012 — Here is hand-picked selection of the most popular Smashing Magazine’s articles featuring design trends from artists from the different countries of the world. Read more…

August 13, 2012 — A new Smashing Magazine CSS Q&A. We picked out some of the best questions about CSS we’ve received from our community and we answered them so that everyone can benefit from the exchange. Read more…

August 13, 2012 — Here you will find posts featuring some of the best articles related to content strategy and storytelling which have been published on Smashing Magazine over all the years. Read more…

August 13, 2012 — Here you will find posts featuring some of the best high quality free fonts which have been introduced on Smashing Magazine. Read more…

August 10, 2012 — Designing for device orientation brings various challenges and requires careful thinking. The experience must be as unobtrusive and transparent as possible, and we must understand the context of use for this functionality. Read more…

August 9, 2012 — There’s no way you can read all of those but you’ll still have to keep up to date. Vasilis van Gemert shares some tips on doing that while still having some time left to work. Read more…

August 8, 2012 — Shane Pearlman thinks WordPress is losing its way. Read this post to understand why he thinks a WordPress human interface guidelines would be helpful. Read more…

August 7, 2012 — Do you think we talk about content a lot like the way we talk about money? Check out an excerpt of the essay “The Strategic Web Designer: How to Confidently Navigate the Web Design Process”, by Christopher Butler. Read more…

August 6, 2012 — Just as living species depend on mutation and adaptation to survive, typefaces too depend on their features to optimize the performance of text in a given environment. This principle seems to determine, in a way, the degree of failure or success that printing types (old and new) have in the physical world. Read more…