There has been a long-running war going on over the mobile Web: it can be summarized with the following question: “Is there a mobile Web?” That is, is the mobile device so fundamentally different that you should make different websites for it, or is there only one Web that we access using a variety of different devices? Acclaimed usability pundit Jakob Nielsen thinks that you should make separate mobile websites. I disagree.
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If you run an online magazine, most of your readers will never go through your archive, even if you design a neat archive page. It’s not you; it’s just that going through archives is not very popular these days. So, how do you actually make readers dig in without forcing them? How do you invite them to (re)read in a way that’s not boring?
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Our world is getting louder. Consider all the beeps and bops from your smartphone that alert you that something is happening, and all the feedback from your appliances when your toast is ready or your oven is heated, and when Siri responds to a question you’ve posed. Today our technology is expressing itself with sound, and, as interaction designers, we need to consider how to deliberately design with audio to create harmony rather than cacophony.
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This year’s experiment: a 3D pop-up book á la Dr. Seuss. If you haven’t seen it yet, hop on over and take a look. The website was a test to see how far SVG and CSS 3D transforms could be pushed. I learned a lot in the process and wanted to share some of the techniques that I found helpful when working in 3D space.
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This article is the sixth in our new series that introduces the latest, useful and freely available tools and techniques, developed and released by active members of the Web design community. The first article covered PrefixFree; the second introduced Foundation, a responsive framework; the third presented Sisyphus.js, a library for Gmail-like client-side drafts, the fourth covered a free plugin called GuideGuide and the fifth presented Erskine Design’s responsive grid generator Gridpak. Today, we are happy to feature a toolkit devised by Yandex: BEM.Read more…
In this article, we will look at the powerful effect that typography has in taking control of meaning. We will discuss a range of examples, from verbal language that inspires and shapes visual treatment to visual language that dominates verbal meaning.
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In a post on her blog last year, WordPress designer, business woman and author, Lisa Sabin Wilson, talked about how thankful she is to be part of the WordPress economy. It’s an economy that thousands of people, the world over, are benefiting from (including me!). It is an economy built on free, open source software.
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In a post on her blog last year, WordPress designer, business woman and author Lisa Sabin Wilson talked about how thankful she is to be part of the WordPress economy.
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Emotional design has become a powerful tool in creating exceptional user experiences for websites. However, emotions did not use to play such an important role on the Web. Actually, they did not use to play any role at all; rather, they were drowned by a flood of rational functionality and efficiency.
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I’m pretty confident that I won’t surprise anyone here by saying that CSS sprites have been around for quite a while now, rearing their somewhat controversial heads in the Web development sphere as early as 2003.
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