Paras Chopra goes into the technical details of multivariate testing. Get to know the types of multivariate tests, the do’s and don’ts and more!
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We always try our best to challenge your artistic abilities and produce some interesting, beautiful and creative artwork. And as designers we usually turn to different sources of inspiration. As a matter of fact, we’ve discovered the best one — desktop wallpapers that are a little more distinctive than the usual crowd. This creativity mission has been going on for almost two years now, and we are very thankful to all designers who have contributed and are still diligently contributing each month.
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CSS3 is a wonderful thing, but it’s easy to be bamboozled by the transforms and animations (many of which are vendor-specific) and forget about the nuts-and-bolts selectors that have also been added to the specification. A number of powerful new pseudo-selectors (16 are listed in the latest W3C spec) enable us to select elements based on a range of new criteria. “CSS3 Pseudo Classes”)](https://www.smashingmagazine.com/2011/03/30/how-to-use-css3-pseudo-classes/)
Before we look at these new CSS3 pseudo-classes, let’s briefly delve into the dusty past of the Web and chart the journey of these often misunderstood selectors.
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Designing for the future Web. That’s a big subject. Where do we start when we’re talking about something that isn’t here yet? In this article, we’ll look at what the future Web might look like and how we can adapt our current skills to this new environment, as well as how to create fluid websites that are built around a consistent core and that adapt to the limitations and features of the device on which they are viewed
We’ll also look at how our conceptual approach to designing websites should evolve: designing from the simplest design upwards, and not from the richest website down. But before we get to that, let’s start with a question. What do we mean by the “future Web”?
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To follow this tutorial, you’ll need the code from the previous article. If you want to get started right away, grab the code from GitHub and check out the _tutorial_part1 tag.
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Two weeks ago we published the first part of Photoshop tips and tricks for photo retouching. Today, we’ll be presenting the rest of the article. We hope that these techniques will be quite useful for your workflow. You may know some of them, but hopefully not all of them. We have had articles on various tools in Adobe Photoshop but this one is focused more on the techniques rather than the tools provided. Please note that all images used in this article were purchased and are used according to their licenses.
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Choosing a typeface can be tricky. The beauty and complexity of type, combined with an inexhaustible supply of options to evaluate, can make your head spin. But don’t be baffled — and don’t despair. While there are no easy-to-follow rules on how best to choose a typeface, there are many tried-and-true principles you can quickly learn and apply to make an appropriate typeface choice. If you work systematically through the options below, you’ll have a winning typeface choice in no time. Let’s get started.
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Website speed has always been a big issue, and it has become even more important since April 2010, when Google decided to use it in search rankings.
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As Web craftsmen, we are living in exciting times today. The frenetic pace of evolution in our industry has created remarkable opportunities for our work.
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In 2002, Mark Newhouse published the article “Taming Lists”, a very interesting piece in which he explained how to create custom list markers using pseudo-elements. Almost a decade later, Nicolas Gallagher came up with the technique pseudo background-crop which uses pseudo-elements with a sprite
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