Today we are glad to release a Designer’s Portfolio Icon Set, a set with 12 original high-quality icons in the resolution 256×256px. This set was designed by MediaLoot and released especially for Smashing Magazine and its readers. Both layered PSDs and transparent PNGs are included. The set contains icons related to avatar, portfolio, brushes, mail / envelope, color palette, colored pencils, tablet, laptop computer, moleskine notebook, DSLR camera, easel with canvas and coffee cup. [Links checked March/03/2017]
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The archive is one of those often-overlooked parts of a website that doesn’t get the attention it deserves. Too often it’s thrown on a page that’s no different from any other page on the website, or it’s ignored altogether. The archive offers a lot of room for creativity, though. Whether you opt for an abbreviated one in the sidebar or footer or devote an entire page to it, the archive an opportunity to make your design stand out.
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Bookmarklets are small JavaScript-powered applications in link form. Often “one-click” tools and functions, they’re typically used to extend the functionality of the browser and to interact with Web services. They can do things like post to your WordPress or Tumblr blog, submit any selected text to Google Search, or modify a current page’s CSS… and many other things!
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Adobe Fireworks is the Swiss Army knife for many developers and Web, UX, UI and graphic designers. The application is known for its versatility, excellent blend of vector and bitmap tools and powerful built-in wireframing and prototyping options. Also, according to the SoDA 2010 Digital Marketing Outlook survey, Fireworks has become an important tool for many digital agencies.
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In our earlier article about Web design trends for 2010 we covered the strong influence of print design techniques, keypress navigation, horizontal layouts, rich typography and aesthetically pleasing designs. Web design today is developing rapidly, breaking the limitations of conventional approaches and exploring the possibilites of upcoming technologies. Designers are not only experimenting with new techniques and design approaches, but they are improving the quality of their designs in both technical and conceptual respects.
Modern websites have great strengths, such as flexibility, cross-browser compatibility and personalization, but they are also becoming increasingly simple and intuitive. This is being done through the application of subtle usability enhancements, drawn either from the Web itself or from offline interactive systems. The Web today is increasingly complex, while usage of the Web is becoming increasingly simple.
In this article, we’ll explore some new design approaches and techniques that you may want to develop for your own projects. We’ll present rather unusual or unconventional design approaches and try to understand what’s actually interesting about them and how we can apply them to modern Web design. More specifically, we will discuss the following: real-life metaphors that are applied to the Web, hidden complexity, subtle interactivity, context-sensitive navigation and rapid CSS3 adaptation.
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The beauty of typography has no borders. While most of us work with the familiar Latin alphabet, international projects usually require quite extensive knowledge about less familiar writing systems from around the world. The aesthetics and structure of such designs can be strongly related to the shape and legibility of the letterforms, so learning about international writing systems will certainly help you create more attractive and engaging Web designs.
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With all of the buzz going on in our Web community about HTML5 and Flash, I’ve decided to dive into the fray and offer my thoughts as a 10-year veteran of both Web design and Flash development. Let me preface by saying that this article is opinion-based, and that information is certainly out there that I am not aware of, and that none of us truly knows what the future holds.
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Because you (and your client) want the changes to be as cost-efficient as possible, you are better off adopting change-friendly prototyping methods and tools. This is especially true in the early stages of the project, when your ideas for potential solutions are rather vague. In this early phase, most often you don’t even know the exact problem for which you are hunting for a solution. You are still analyzing more than designing.
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Why the Lucky Stiff was one of the brightest and most inspiring programmers in activity. He became famous through a series of blogs and through the incredible amount of open-source projects that he maintained over the course of more than seven years.
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Today, we’ll look at what it’s like to develop print material in cooperation with a major marketing company for top-name brands and retailers using Adobe Photoshop and Illustrator. For anyone in the print industry, we’ll share methods and resources that you’ll hopefully find helpful. For others, this article will shed light on what it’s like to work for a design firm. You’ll gain in-depth insight not only into the methods of professional print designers but also into the marketing implications of their work.
Though many newcomers to the design industry lean towards Web design, professional print design is still very much a viable alternative. Despite declining print sales of magazines and newspapers, print-based marketing (such as for in-store signage, direct-mail campaigns and free-standing inserts) doesn’t seem to be going anywhere soon. If anything, the industry is eager to hire talent from the next generation to bring much-needed fresh ideas and innovation to the table.
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