For years you have been searching for it. You hear the question being asked in your dreams as you go on an Indiana-Jones-type-crusade to find the answer. When the answer comes to you, you know that the confetti will fall from the ceiling and the band will start playing your favorite song.
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It’s not actually old browsers that are holding back the web, it’s old ways of thinking about the Web that are holding back the Web. Nicholas C. Zakas explains why fixating on circumstances that you can’t change isn’t a recipe for success.
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Shopping. Social networking. Emailing. Reading. Finding directions. Banking. Researching. Those are some of the most common tasks people perform on the World Wide Web. You’ve probably done all of these things yourself at some point. So if you’re like many people, you probably do these things every single week (and many of them even every day).
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Because of how far certain Web technologies like HTML5 and CSS3 have brought us, many would say that—from a Web platform perspective—the future is now. Sounds like a cliché, I know. At the very least, it feels like the future is starting to bubble up to the surface… but it’s just not quite there yet.
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A strong understanding of how designers control meaning is essential for anyone interested in graphic design or typography. In a previous article, we discussed how sophisticated and complex visual and verbal language can get, examining instances that show how type can be used to effectively take control of meaning.
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There is a paradox that fits my life. Doesn’t matter what aspect of my life I am talking about because it always seems to apply. Even more so when I think about this paradox and the design of this website and other websites. I really hate this paradox.
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Any application of typography can be divided into two arenas: micro and macro. Understanding the difference between the two is especially useful when crafting a reading experience, because it allows the designer to know when to focus on legibility and when to focus on readability.
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In this article, we will look at the powerful effect that typography has in taking control of meaning. We will discuss a range of examples, from verbal language that inspires and shapes visual treatment to visual language that dominates verbal meaning.
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We are very happy to present a sample chapter by Aarron Walter from the upcoming printed Smashing Book #3. In this chapter, Aarron explains how sharing our personalities can help us create lasting relationships with users, and how it can improve the bottom line of our business. The sample is also available for free download in PDF, EPUB and MobiPocket.
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When users land on your website, they typically read the content available. Then, the next thing that they will do is to try and familiarize themselves with your website. Most of the time this involves looking for navigation.
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