As printed typography enjoys the fruits of high-DPI glory, proudly displaying its beautiful curves and subtleties, its on-screen counterpart remains stifled by bulky pixels, living in a world of jagged edges, distorted letterforms and trimmed serifs. Until display manufacturers produce affordable 200 or 300 PPI monitors, we’ll have to rely on software advances to fix these problems.
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Among all of the graphic designers in the world, many of them have probably had a go at designing some cool artwork for t-shirts. The t-shirt, after all, is one of the world’s most purchased products, and a lot of us wouldn’t know what to do without them.
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Most people who have designed websites or apps in Photoshop will, at one point or another, have had issues trying to match colors in images to colors generated by HTML, CSS or code. This article aims to solve those problems once and for all. So how can we achieve color management that matches colors across multiple devices? [Updated February/28/2017]
In the print world, color management typically involves calibrating your entire workflow, from scanner or digital camera to computer display to hard proofs to the final press output. This can be quite a tall order, especially when the devices use different color spaces — matching RGB and CMYK devices is notoriously hard.
When designing or editing for TV, calibrating the main editing display and using a broadcast monitor are common; these show real-time proof of how the image will look on a typical TV in a viewer’s home. In such a scenario, color management offers many benefits and is highly recommended.
When building Web and application interfaces, the situation is a little different. The final output is the same device that you’re using to create the artwork: a computer display (putting aside for now differences in gamma between Windows, OS X prior to 10.6 and the iPhone, which we’ll cover later.)
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Although web design is everywhere nowadays (even when we’re not at the computer it still manages to squeeze it’s way in to our everyday life), print design is still a huge part of the design industry and is everywhere we look: newspapers, posters, prints, manuals, restaurant menus, business cards – the list goes on and on. So how do you make sure that you leave a good impression on people holding your piece of art in their hands? This is where experience and advanced print design skills come into play.
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When you hear the word ‘kinetic’ for the first time, probably the first thing that comes to your mind is motion. Kinetic Photography, also known as ‘camera tossing’, is a technique of shooting photos with the actual physical movement of the camera. However, it does not necessarily involve tossing of the camera — you can also shake, bounce, swing or spin it; the goal of the technique is to obtain unpredictable results which are sometimes fascinating, always abstract and rarely boring.
The main rule of kinetic photography is simple: do not hold your camera stationary! Obviously, it is a quite uncommon and bizarre technique that involves risk of damaging your camera. The concept is extremely simple and really fun to use. Though the outcome is uncertain, kinetic photography sometimes produces beautiful abstract, random and motion blurred images. The results often look like a computer generated graphics.
Below we present beautiful examples of kinetic photography for your inspiration. All images are linked to photographer’s web sites. You can explore further works of the photographers we’ve featured below by clicking on the images presented in this showcase. And feel free to add links to some beautiful works in the comments to this post!
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Learning is a process which continues throughout the life of an artist, graphic designer, and illustrator. Along the way, designers find the task of mastering Adobe Illustrator a large obstacle which requires practice and experience in using the vector-based application. Practice comes in the form of tutorials, which offer tips, tricks, and artistic styles from other designers who have mastered certain techniques based on their experience.
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Photoshop and Illustrator, as we’ve all come to realize, have revolutionized contemporary design and illustration, unleashing the creative potential of artists the world over. Through this tutorial, we’ll take you through process and technique, from sketch to Photoshop to Illustrator, so that you can learn skills to complement your ample creativity! [Updated May/02/2017]
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The most important aspect of designing an individual icon is that it has to be instantly recognizable, you have to know its function, and you need to know exactly what it is.
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Today, in the era of digital technology black and white often awake nostalgic feelings of the 20th century, the good old times when the television was just invented, when people read colorless printed newspapers and when people were just imagining cell phones equipped with photo cameras. But still, dozens of years later, many artists use black and white photography for artistic purposes. It is one of the best and cheapest types of photography for the beginners to test their creativity. This showcase is a tribute to this often forgotten and underrated art of photography.
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Traditional drawing is certainly way harder than digital and it is true that people are able to progress much faster digitally, but one should learn the traditional type of drawing and painting before starting digital drawing, since it often lays out the foundation for screen design.
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